Showing results by author "Black Eye Entertainment" in All Categories

The Whistler was one of radio's top mystery programs airing from May 16, 1942, until September 22, 1955. Sponsored by the Signal Oil Company, The Whistler (Bill Forman) was an ominous narrator who knew the killer's every move even before they did. The stories followed an effective formula in which a person's criminal acts were typically undone by their own missteps.

Space Patrol began as a television show in 1950 and was an overnight sensation. The series followed the 30th-century interplanetary exploits of Commander-in-Chief Buzz Corry of the United Planets Space Patrol and his young sidekick Cadet Happy. Together they thwarted evildoers wanting to take over the Universe. The show was targeted to children, but attracted a sizable adult audience. A radio series soon followed with the same cast performing on both the TV and radio shows.

Night Beat followed Randy Stone, a hard-nosed Chicago Star newsman and his quest for the human-interest story behind the headlines. Hollywood actor Frank Lovejoy voiced the role of Randy Stone, who brought the character to vivid life thanks to expert scripts written by Russell Hughes, E. Jack Neumann, John Michael Hayes (who would later write the Hitchcock film classics "To Catch a Thief" and "Rear Window"), and Larry Marcus.

The Lux Radio Theatre was one of the most prestigious and longest-running shows from radio's Golden Age. It featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host (from 1936-1945) for a lavish production of what was to become a veritable checklist of many of Hollywood's best films from the mid-1930s through the mid-1950s. The stars of the movie usually appeared in their audio counterparts. The productions were broadcast live, with a full orchestra, in front of a large studio audience.

Created by S. S. Van Dine, Philo Vance was quite popular in books, movies, and on radio. He was portrayed as a stylish, very intelligent, and cultured private detective - an Americanized Sherlock Holmes - working out of New York. Not that Vance needed any help solving a crime, he did work closely with his secretary and right-hand woman Ellen Deering, and his pal John Markham, New York County District Attorney. First heard on NBC radio in 1945, Philo Vance, Detective enjoyed success in syndication beginning in 1948 starring Jackson Beck. This volume includes 16 episodes.

The CBS Radio Workshop aired from January 27, 1956, through September 22, 1957, and was a revival of the prestigious Columbia Workshop from the 1930s and 1940s. Creator William Froug launched the series with this powerhouse two-part adaptation of Brave New World and booked author Aldous Huxley to narrate his famous novel. The CBS Workshop regularly featured the works of the world's greatest writers, including Ray Bradbury, Archibald MacLeish, William Saroyan, Aldous Huxley, Lord Dunsany, and Ambrose Bierce.

Fibber McGee & Molly had a long and successful run on radio (1935-1959). The program showcased terrific comic and musical talent, headlined by its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern town of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife Molly. Life in Wistful Vista followed a well-developed formula but was always fresh. Fibber's weekly schemes would be interrupted, inspired by, and often played upon the people of Wistful Vista.

Throckmorton P. Gildersleeve was a popular character appearing regularly on The Fibber McGee & Molly Show. On August 31, 1941, the character landed his own situation comedy show, The Great Gildersleeve, becoming radio’s first spin-off. Gildy moved from the town of Wistful Vista to Summerfield, where he raised his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy (Walter Tetley). The household also included a cook named Birdie (Lillian Randolph).

The golden age of radio had incredible comedy shows that kept Americans in stitches for decades. Families gathered around their living room radios to be entertained by the greatest names in Hollywood each and every day. This collection includes Bud Abbott and Lou Costello, Eve Arden as Connie Brooks on Our Miss Brooks, Jim & Marian Jordan in Fibber McGee & Molly, William Bendix as Chester A. Riley on The Life of Riley, Jack Benny, Bob Hope, Fred Allen, Bing Crosby, Groucho Marx, Ann Sothern as Maisie, and many more!

The golden age of radio had incredible Western shows that kept Americans glued to their sets. Families gathered around their living room radios to hear Western heroes catch the bad guys and save ladies in distress. This collection includes Gregory Peck in an hour-long episode of The Gunfighter on the Screen Director's Playhouse; James Stewart as Brit Ponset, a.k.a. "the Six-Shooter"; William Holden in The Virginian on General Electric Theater; William Boyd as Hopalong Cassidy; William Conrad as US Marshal Matt Dillon on Gunsmoke; and many more!

This collection contains 16 of the greatest shows ever broadcast during the golden age of radio - including episodes of The Jack Benny Program, The Abbott & Costello Show, Burns & Allen, Gunsmoke, The Amos 'n' Andy Show, Philip Marlowe, Gang Busters, Suspense, X Minus One, Our Miss Brooks, Sherlock Holmes, and many others. Relive the best radio shows from yesterday and the legendary stars that made them amazing in this incredible collection.

Our Miss Brooks was a situation comedy show heard on radio and seen on television and films. It starred Hollywood film and New York stage veteran Eve Arden, who had specialized in playing the wisecracking friend to the heroine. The series centered on Connie Brooks, a smart, sharp-witted, lovable English teacher at fictional Madison High School. Between gentle wisecracks, Miss Brooks doted on nerdish student Walter Denton (Richard Crenna) and frequently locked horns with crusty, cranky Principal Osgood Conklin (Gale Gordon).

Lucille Ball was an accomplished actress, comedian, model, entertainment studio executive and producer. She was the star of the self-produced TV sitcoms I Love Lucy, The Lucy Show, Here's Lucy and Life with Lucy, as well as television specials aired under the title The Lucy-Desi Comedy Hour. This collection contains 10 of her popular radio performances, and we hope you will Love Lucy all over again.

Have Gun-Will Travel followed the adventures of Paladin, a soldier of fortune-turned-hired gunfighter, played by John Dehner. Paladin preferred to settle problems without violence, yet, when forced to fight, excelled. He lived at the swanky Carlton Hotel in San Francisco, where he dressed in formal wear, ate gourmet food, attended the opera and enjoyed the company of beautiful women. When working as a gun-for-hire, he dressed in all black, used calling cards and wore a holster, decorated by a characteristic chess knight emblem.

The CBS Radio Workshop aired from January 27, 1956 through September 22, 1957 and was a revival of the prestigious Columbia Workshop which aired from 1936 to 1943. Creator William Froug launched the series with the powerhouse two-part adaptation of "Brave New World" and booked author Aldous Huxley to narrate his famous novel. "We'll never get a sponsor anyway…," CBS vice president Howard Barnes explained to Time, "…so we might as well try anything."

The character of Jack "Flashgun" Casey was first penned by former newspaper and advertising executive George Harmon Coxe, Jr. in the March 1934 issue of Black Mask, the legendary Pulp Magazine. Casey was a cameraman who took photographs that accompanied reporter's newspaper stories. His keen eye for detailed served him well at solving the crimes he was assigned to photograph. "Flashgun" Casey was an instant success with the Black Mask readers and soon made the leap to the silver screen and to radio.

The Golden Age of radio had incredible Western shows that kept Americans glued to their radio sets. Families gathered around their living room radios to hear Western heroes catch the bad guys and save ladies in distress.

The Golden Age of radio had incredible Western shows that kept Americans glued to their radio sets. Families gathered around their living room radios to hear Western heroes catch the bad guys and save ladies in distress.

Armed with the nickname "The Boy Genius", Orson Welles graduated from the New York stage to expand his creative talents in the radio industry, hoping to use the audio medium to promote his stage ventures. Welles followed the edict that most stage actors applied - he played roles in hundreds of radio dramas produced by advertising agencies and the radio networks. After creating a minor panic in the minds of radio listeners with his 1938 War of the Worlds broadcast, Welles attracted the attention of a movie studio.

As Lucy Ricardo, Lucille Ball brought a tomboy’s enthusiasm and a scatterbrained quality to the long-running I Love Lucy (1951-61) television program. She was the wacky wife making life difficult for her loving but perpetually irritated husband, Ricky Ricardo (played by Ball’s real-life husband, Desi Arnaz). Long before I Love Lucy, Ball worked her way up Hollywood’s ladder with appearances in films and in many radio shows, including dramatic roles where she could really show her acting chops.