Showing results by narrator "Mark Rice Oxley" in All Categories

Richard Garnett C.B. was born on the 27th February 1835. Educated in Bloomsbury he then joined the nearby British Museum as an assistant librarian in 1851, shortly after his father’s death. As an author he wrote several volumes of verse, a book of short stories and several biographies and history books.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. The Russian short story is, in many respects, in a genre of its own. It is at its captivating best whether it’s an exploration of real-life experiences, through fantasy and fables and on to total absurdity.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In the vast Empire of the Russians literature was a way to exchange ideas, values and cultures. Yet each author, each story, each character is an individual example of a journey that, story by story, has transformed the glimmering arc of its literature.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. Whilst Tolstoy, Gogol, Dostoevsky, Pushkin and Chekhov are a given in any Russian collection we also explore and include Andreyev, Korolenko, Turgenev, Blavatsky and many others to create a world rich and dense across a sprawling landscape of diverse people, riddled with the class and unfairness in perhaps some of the most turbulent times that Russia has ever experienced.

Edward George Earle Bulwer-Lytton was born on the 25th May 1803 the youngest of three sons. In 1828 his novel, ‘Pelham’, brought him an income, together with commercial and critical success. He followed these with a string of applauded works across several genres: historical fiction, mystery, romance, the occult, science fiction and poetry.

Dorothy Kathleen Broster was born on 2nd September 1877 at Devon Lodge in Grassendale Park, Garston, Liverpool. Her novels, mainly historical fiction, peaked in popularity with ‘The Flight of the Heron’, in 1925, a best-seller followed up by two sequels. As well as poetry and various articles she also wrote several short stories, the best known of which is a classic of weird fiction ‘The Couching at the Door’ in which an artist appears to be haunted by a mysterious entity.

Richard Garnett C.B. was born on the 27th February 1835. Educated in Bloomsbury he then joined the nearby British Museum as an assistant librarian in 1851, shortly after his father’s death. As an author he wrote several volumes of verse, a book of short stories and several biographies and history books.

Móric Jókay de Ásva was born on the 18th February 1825 in Komárom, then in the Kingdom of Hungary but now part of Slovakia. Due to his timid and delicate constitution he was educated at home until the age of 10 and then sent away to complete his studies at the Calvinist college at Pápa. At 12 his father died, and he was pushed to honour him by replicating his career as a lawyer. He studied hard and completed the curriculum at Kecskemét and Pest. He won his first case as a newly graduated lawyer.

Convicted criminal Simms finds himself imprisoned not behind bars, but within the confines of an alien technology so advanced, it’s indistinguishable from reality. Trapped on a deserted island, Simms thought he had found paradise. But little did he know, he was actually imprisoned on Mars in a simulated world created by the Vehni. As he struggles to survive and unravel the island’s mysteries, Simms must also face a journey of self-discovery and transformation.

Sometimes we want to be a little scared when we hear a story. Our nerves to tingle, the hair on our necks to gradually stand up. We can suspend our own reality for a while as authors lay out their wares of anxiety, worry, tension, and then increase the levels one by one until we are gripped by forces that make us afraid. It’s a real feeling. In this volume story after story assault our senses with mere words, with thoughts and descriptions that twist and deceive, with outcomes that we dread and shudder at the thought of.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.