Horror Studies

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

Whether for entertainment, under the guise of medicine, or to propel consumerism, heinous acts are perpetrated daily on women’s bodies. In Body Horror: Capitalism, Fear, Misogyny, Jokes, award-winning journalist Anne Elizabeth Moore catalogs the global toll of capitalism on our physical autonomy. Weaving together unflinching research and surprising humor, these essays range from investigative—probing the Cambodian garment industry, the history of menstrual products, or the gender biases of patent law—to uncomfortably intimate.

The Horror Writer covers how to connect with your market and carve out a sustainable niche in the independent horror genre, how to tackle the writer's ever-lurking nemesis of productivity, writing good horror stories with powerful, effective scenes, realistic, flowing dialogue and relatable characters without resorting to clichéd jump scares and well-worn gimmicks. Also covered is the delicate subject of handling rejection with good grace, and how to use those inevitable "not quite the right fit for us at this time" letters as an opportunity to hone your craft.

'THE DECADENT FANTASY OF MY DREAMS' KALIE REID A dreaming witch. A sleepless bodyguard. A love that tears nightmares apart. Gifted with the ability to step into the dream realm, Matiah answers the Wolford Manor family's pleas for help with the Lord's young nephew who is plagued by nightmares...

Horror Podcasting argues that podcasting, as an aural medium, is about the mind. Horror is an inward-style of storytelling, and yet the reception of the podcast can be an embodied form of listening. This intersection creates conditions for a subject/listener collapse (which results in immersion)...

Despite the high number of programs and their evident popularity, paranormal reality television has to date received little critical attention. Ghost Channels provides an overview of the paranormal reality television genre, its development, and its place in television history. Conducting in-depth analyses of over thirty paranormal television series, author Amy Lawrence suggests these programs reveal much about Americans' contemporary fears. 

This annotated edition of the classic Gothic novel, Frankenstein, by Mary Shelly includes an historical introduction, an overview, study of the themes present in the book, and a list of famous quotes.

This collection features such stories as "Passenger Train Number 9"; "The Little People"; "The Phantom Rider of the Confederacy"; "The Demon of Wizard Clip"; "Room for One More"; "Tavern of Terror"; "The Surrency Ghost"; "The King's Messengers"; "The Haunted Gold Mine"; "The Singing River"; "The Gray Lady"; "Railroad Bill"; and "The Haunted Car".