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The hero of Hanif Kureishi's debut novel is a dreamy teenager, desperate to escape suburban South London and experience the forbidden fruits which the 1970s seem to offer. When the unlikely opportunity of a life in the theatre announces itself, Karim starts to win the sort of attention he has been craving, albeit with some rude and raucous results.

On Boxing Day 2022, in Rome, Hanif Kureishi had a fall. When he came to, in a pool of blood, he was horrified to realise he had lost the use of his limbs. He could no longer walk, write or wash himself. He could do nothing without the help of others, and required constant care in a hospital. So began an odyssey of a year through the medical systems of Rome and Italy, with the hope of somehow being able to return home, to his house in London.

Hanif Kureishi's new collection of essays and fiction. No topic is too fringe or too mainstream for this insatiable and much-loved author. From social media to the ancient classics, from appraisals of David Bowie to Georges Simenon to Keith Jarrett, this is the latest literary 'event' in a unique body of work that displays Kureishi's characteristic boundless curiosity and wit. What Happened? is as much about the very fact of Kureishi's catholic appetite for culture as his observations and insights themselves, and any new book in his oeuvre is a justification for celebration.

Jamal is a successful psychoanalyst haunted by his first love and a brutal act of violence from which he can never escape. His coming of age in the 1970s forms a vivid backdrop to the drama that develops 30 years later, as he and his friends face an encroaching middle age with the traumas of their youth still unresolved.

Jay is leaving his partner and their two sons. As the long night before his departure unfolds, he remembers the ups and downs of his relationship with Susan. In an unforgettable and often pitiless reflection of their time together, he analyses the agonies and the joys of trying to make a life with another person.

Shahid is a clean-cut student trying to make an impression on his college lecturer, Deedee Osgood, who gives his spirits a lift when she takes him to a naked rave party. Shahid's academic prospects are threatened by the intervention of his gangster brother, Chili, who, with his Armani suits and Gucci loafers, moves into Shahid's bedsit as a hideout, bringing unnecessary danger and excitement with him. Set in London in 1989, the year of the fall of the Berlin Wall and the fatwah, The Black Album is a thriller with a characteristically lively background.

The Body is a dazzling collection of fiction from Hanif Kureishi, beginning with a novella that delves into the concept of identity, and its root in our physical being. Adam is a middle-aged playwright who accepts a tempting offer to have his mind transported into a younger body for six months. Youth restored, he embarks on an odyssey of physical hedonism, but must then face the dire consequences when he is loath to relinquish his new body.

One night, when I am old, sick, right out of semen and don't need things to get any worse, I hear the noises growing louder. I am sure they are making love in Zenab's bedroom, which is next to mine. Waldo, a fêted filmmaker, is confined by old age and ill health to his London apartment. Frail and frustrated, he is cared for by his lovely younger wife, Zee. But when he suspects that Zee is beginning an affair with Eddie, 'more than an acquaintance and less than a friend for over 30 years', Waldo is pressed to action: determined to expose the couple, he sets himself first to prove his suspicions correct - and then to enact his revenge.

This critically acclaimed British writer of Pakistani descent is the author of some of the most recognised postcolonial literature in the world, including The Buddha of Suburbia, which won the Whitbread Award for best first novel, and to screenplay for My Beautiful Laundrette. Hanif Kureishi talks to us about his feelings on writing and teaching it, his love of long-form TV series and what it was like to start writing at a time in which art had to be shocking.

Mamoon is an eminent Indian-born writer who has made a career in England - but now, in his early 70s, his reputation is fading, sales have dried up, and his new wife has expensive taste. Harry, a young writer, is commissioned to write a biography to revitalise both Mamoon's career and his bank balance. Harry greatly admires Mamoon's work and wants to uncover the truth of the artist's life. Harry's publisher seeks a more naked truth, a salacious tale of sex and scandal that will generate headlines. Meanwhile Mamoon himself is mining a different vein of truth altogether.

A remarkable insight into the birth of a writer and the moving discovery of family secrets. When Hanif Kureishi discovers an abandoned manuscript of his father's, his understanding of the family history is transformed. So begins a journey which takes Kureishi through his father's privileged childhood by the sea in Bombay, to the trauma of partition and to his adult life hidden away in the suburbs of Bromley - his days spent as a minor functionary in the Pakistan embassy in London, his nights writing prose, hopeful of one day receiving literary recognition.

Distinguished guests nominate a great musician for BBC Radio 4's Great Lives For 20 years, Great Lives has been a linchpin of Radio 4, presented by Joan Bakewell, Humphrey Carpenter, Francine Stock and Matthew Parris. In it, a household name is invited to choose one of their heroes to discuss...

From the celebrated twenty-nine-year-old author of the everywhere-heralded short-story collection St. Lucy’s Home for Girls Raised by Wolves (“How I wish these were my own words, instead of the breakneck demon writer Karen Russell’s . . . Run for your life. This girl is on fire”—Los...

In this edition of Fresh Air, host Barbara Bogaev speaks with author Hanif Kureishi about his new novel Gabriel's Gift. It's the story of a 15-year-old boy and his struggles with his artistic soul and restless parents. Several of Kureishi's earlier novels, My Beautiful Laundrette, and Sammy and Rosie Get Laid, were made into films. Dancer Garth Fagan is the Tony Award-winning choreographer of Broadway's The Lion King.