Showing titles in African

A sister’s phone call from a war-torn village. A child’s drawing held up to a flickering screen. A homeland that still dares to call itself the Land of Good. A Field Divided: Voices of Sister, Sons, and Homeland is a poetic chronicle of Sudan’s recent war and its long shadows, told through three central poems and the reflections that surround them. In “Omzina: A Wound in Two Tobes”, a brother listens as his sister’s voice crosses miles of dust and silence.

South Africa is a complicated, contradictory, and haunted place. Len Verwey captures the trajectory of life in such a place, dealing with childhood, war, marriage, divorce, and death. He explores the challenges posed by place and history, shared identities, deep embeddedness in the continent, and the legacies of violence and exclusion, as well as beauty. Verwey offers poems that speak of uncertainty, ask questions, and challenge simplistic and scapegoating narratives that become so tempting when living in a society undergoing intense social and economic pressure.

Loving the Dying is a collection of poems on life’s different stages. Set against the backdrop of a conflicted society, Len Verwey looks at a person’s life from youth and growing up to aging and dying, considering what the ineluctable reality of death might imply about how we should think about our lives. These are poems of uncertainty rather than certainty. The more overtly biographical ones end with as many questions as they start with, and there is often sympathy for the outsider or the marginalized voice.

Faydé ha preso la sua decisione. Andrà a Maroua, a servizio nella casa di qualche fulani benestante, come hanno fatto le sue amiche, che tornano al villaggio per le festività ben vestite e cariche di doni per le proprie famiglie. Per sua madre, Kondem, la sola idea è insopportabile. Lei sa bene che vita fanno le domestiche in città, e non vuole che sua figlia sperimenti sulla propria pelle la stessa sofferenza e la stessa umiliazione che l'hanno fatta tornare in montagna giurando: mai più.

In A Delicate Delivery, Ndaba Sibanda masterfully weaves words into powerful poetic tapestries, unveiling the silenced struggles, uncelebrated triumphs, and raw resilience of Africa's unsung heroes. With evocative imagery and poignant rhythm, these poems echo the unheeded cries of history, the weight of injustice, and the enduring spirit of those who fought, suffered, and dreamed of a better tomorrow.

In this book-length epic poem set in northern Nigeria, Saddiq Dzukogi blends the personal with the mythical, part prayer and part praise song, expanding the griot tradition of Bakandamiya, a poetic form from northern Nigeria popularized by Mamman Shata.

The poems in Leaked Footages carry urgent subjects, ranging from death to disappearance to grief to memory. Not only do the poems fulfill the tradition of witnessing often manifested in contemporary poets such as Garous Abdolmalekian and Ilya Kaminsky, but they extend that tradition by the medium through which they witness: the technical and the technological.

This dazzling debut announces a not-so-new voice: that of the spoken-word poet Tjawangwa Dema. Winner of the Sillerman First Book Prize for African Poets, Dema’s collection, The Careless Seamstress, evokes the national and the subjective while reemphasizing that what is personal is always political. The girls and women in these poems are not mere objects; they speak, labor, and gaze back, with difficulty and consequence. The tropes are familiar, but in their animation they question and move in unexpected ways.

I hear the stillness of streams. What can be purer and pinker than the sincere sight and splash of our Mother Nature, the wildlife? What can be lovelier than its love? My heart and hands are happy and healed by graceful gardens that restore, reign, and rave in my soul, on the horizon, in the landscape of wonder!

Black Woman Your Body Belongs to You describes the pressure a Black woman experiences from men to have children at the height of her career.

Shad-Dari has escaped her past, her dreams now in reach. An excavator of the valuable old sounds of Órino-Rin, she steals tiny, unheard fragments of the sacred songs to erase the painful echo of her home planet, Ekwukwe. In one rebellion too far, she sets off a chain of events that severs her from time itself, forcing her, without another way forward, to face her past.

Tales from the Eastern Cape, gathered in 1886.

Laurel Sibanda is a Zimbabwean-British writer and poet currently living in Southeast England. She holds a Bachelor of Arts degree in English with American Literature. This is her first poetry collection, exploring identity, mental health, generational trauma, and her relationship with poetry.

Beautiful Minds is empathetically filled with emotions we can all identify with. It is a collection of poems that take us on a sequential journey and our personalised interpretations lead us to arrive at individualised destinations. If you desire to sojourn within pages of multiculturalism and poetic beauty then Beautiful Minds is where you must begin.

أكثر ما أرهقني، في التصاق كولمبس وامرأته بي، هو أنني لم أعد أجد وقتًا لمحاولة تخمينك، وكلما جلست مطأطأ النوم، وواسع الأرق، لأحياك كما أريد، وأحيك دسائس الحب...

Kennedi Mason thinks she's the luckiest woman on earth. She loves her job, she has a wonderful best friend, and she's been married for ten years to her soul mate. There's nothing she can think of that could make her life any better. Then one fateful day Kennedi receives a piece of news that will turn her world upside down. She's excited about it, and she knows that her husband, Blake, will be over the moon. He has always dreamed of this one thing happening, and she can't wait until he comes home so she can tell him.

Cocaine Lion is a story about a gangsta with a Lion's head and his rise to becoming one of the biggest drug lords in Diamond City, SC. This is a story of action, drugs and love, join us for Cocaine Lion.

What if words were the ultimate weapon? Welcome to The G.R.I.O.T. (The Gods Revel In Our Talents)—a groundbreaking cinematic spoken word journey where poetry fuels revolution, mythology meets reality, and truth is forged in the heat of battle. In the legendary Tournament of Ascension, warriors don’t fight with swords—they fight with their voices. 'The Nubian', an unknown poet with no rank or history, steps into the Celestial Coliseum, where gods, spirits, and oppressive systems await his challenge. With every verse, he shatters illusions, topples false kings, and reclaims lost narratives.

An epic take on the white slave trade by Barbary pirates, centreing on the most famous buccaneer of the Salle Rovers—Jan Janszoon Van Haarlem. This novel-length narrative poem is set over six books, all interconnected but each telling its own separate and unique story.

"Imbuidos de afán de no dejar morir el bagaje de la imaginación africana, de la imaginación negra, de la imaginación que no sale de leer ni escribir, Amalialú y yo nos encontramos. Es seguro que los cuentos del Chocó no son africanos, son chocoanos, pero, aunque en algo del fondo, sí lo son. También son africanos. Son negros. Son nuestros". Por Arnoldo Palacios