Showing titles in Instruction & Technique

I created this audiobook to offer a process that you can implement, regardless of changes in tools and technology. I want this audiobook to be as relevant in 25 years as when I wrote it. Although there will be some technical jargon, my goal is to break things down in simple English. I never liked user manuals much, and I don't want this book to read like one. This should feel more like a friend having a normal conversation with you. I am not that different from you, and I wasn't born with any natural gift in music making.

Playing music should be as simple and natural as drawing a breath, yet most musicians are hindered by self-consciousness, apprehension, self-doubt, and stress. Before we can truly express our inner self, we must first learn to be at peace and overcome the distractions that can make performance difficult. Kenny's remarkable work deals directly with these hindrances, and presents ways to let our natural creative powers flow freely with minimal stress and effort.

This is the memoir music fans have been waiting for. Half of one of the greatest creative partnerships in popular music, Bernie Taupin is the man who wrote the lyrics for Elton John, who conceived the ideas that spawned countless hits, and sold millions and millions of records. Together, they were a duo, a unit, an immovable object. Their extraordinary, half-century-and-counting creative relationship has been chronicled in biopics and memoirs, but Taupin, a famously private person, has kept his own account of their adventures close to his chest, until now.

If you thought music theory was dull, think again! With the right guidance, it can be woven into every practice – and you'll see astounding results straight away. Playing by ear will get you a long way – it certainly worked for Jimi Hendrix. But the world will only ever know one Hendrix… and for every inspirational story you’ve heard about a famous guitarist who knows nothing of music theory, there’s a whole host of other stories about musicians who do – they’re just not the ones who make the headlines.

A "radiantly accomplished" (Wall Street Journal) music scholar presents an accessible introduction to the art of listening to jazz In How to Listen to Jazz, award-winning music scholar Ted Gioia presents a lively introduction to one of America's premier art forms. He tells us what to listen for...

On the eve of his fortieth birthday, a professor of no discernible musical talent learns to play the guitar and investigates how anyone of any age might master a new skill. Just about every human being knows how to listen to music, but what does it take to make music? Is musicality something we...

There are few artistic acts more mysterious than writing a song. But what if a shift in perspective - and some practical guidance - could overcome that mystery? Anyone wanting to experience more creativity and mindfulness will be inspired to do just that after listening to How to Write One Song. Why one song? The difference between one song and many songs isn't a charming semantic trick - it's an important distinction that can simplify a notoriously confusing art form.

Following publication of Let's Go (So We Can Get Back) and How To Write One Song, both New York Times bestsellers that cemented and expanded his legacy as one of America's best-loved performers and songwriters, Jeff Tweedy is back with another disarming, beautiful, and inspiring book about why we listen to music, why we love songs, and how music can connect us to each other and to ourselves.

"'Boy, do I have a lot to learn!'" Anyone who's ever picked up a musical instrument of any kind - from the first caveman banging rocks to that little kid at the guitar shop - has thought that. I know I did. I'd been trying for years to break in to the music scene, to show everyone my chops, to make my mark. And I was good. But I wasn't great. I knew that there was something wrong. Then the teacher showed up...."

Read by the authors, Ted Kessler and Hamish MacBain. 'Ted Kessler and Hamish MacBain are fantastic chaps. The Dudley Moore and Peter Cook of music journalism LG x' - Liam Gallagher 'Something special: a book of wit and verve about why Oasis matter' - The Telegraph The definitive audiobook about...

What do all those lines and squiggles and dots mean? Basic Music Theory takes you through the sometimes confusing world of written music with a clear, concise style that is at times funny and always friendly. The book is written by an experienced music teacher using methods refined over more than 30 years in schools and in his private teaching studio. Lessons are fun, well-paced, and enjoyable.

Language and the way that people communicate has evolved over time, now you can learn how to effectively use your voice in the most effective way possible in order to get your message across. Every time we open our mouths, we have an effect on ourselves and the way others perceive us. The...

Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you.

Practicing is an essential part of every musician's life, but we are rarely taught how to practice in the most effective and efficient way.

Have you ever wondered how off-key you are while singing in the shower? Or if your Bob Dylan albums really sound better on vinyl? Or why certain songs make you cry? Now, scientist and musician John Powell invites you on an entertaining journey through the world of music. Discover what distinguishes music from plain old noise, how scales help you memorize songs, what the humble recorder teaches you about timbre (assuming your suffering listeners don’t break it first), and more.

Whether you’re a bathroom singer who’s happy to sing to bath fittings or someone who’d like to woo millions with your voice, you can sound your best if you know the right tricks. And no, singing is not just about having the right voice texture; it’s also about knowing what and how to sing. Armed with some practical strategies and the fire to find your own voice, you can unearth your unique voice and create magic with it.

The focus of this book is music practice, but these techniques and mindsets can be applied to any skill you want to improve. The Practice of Practice covers essential practice strategies and mindsets you won't find in any other book. You'll learn what research tells us about practice, but more importantly, you'll learn how great musicians in many genres of music think about practice, and you'll learn the strategies and techniques they use to improve.

Whether you want to build a studio, work in one, start a label or just make better music. If you are a beginner, this book will lead you in the right direction in the least amount of time. Or if you have some experience you will definitely find new insights.

This Very Short Introduction takes an expansive and inclusive approach meant to broaden and challenge traditional views of music and technology. In its most common use, "music technology" tends to evoke images of twentieth and twenty-first century electronic devices: synthesizers, recording equipment, music notation software, and the like. This volume, however, treats all tools used to create, store, reproduce, and transmit music—new or old, electronic or not—as technologies worthy of investigation.

Are you a singer who would like to be able to help others? Would you like to increase your contemporary voice teaching skills? Do you want a method to successfully identify and correct vocal issues with confidence? You love singing and want to share your gift with others, yet navigating the world of teaching voice and vocal coaching can be confusing and intimidating. There is a world of information out there, from methodology to voice science, but applying it in the teaching room can be a bewildering experience. Why does the voice sound like this? How can I fix this issue?