Showing titles in Library & Museum Studies

Penguin presents the audiobook edition of Meetings with Remarkable Manuscripts written and read by Christopher de Hamel. This is a book about why medieval manuscripts matter. Coming face to face with an important illuminated manuscript in the original is rather like meeting a very famous person...

As Hitler was attempting to conquer the western world, his armies were methodically pillaging the finest art in Europe, from Michelangelos to Vermeers, all stolen for the Führer. The Monuments Men had a mandate from President Roosevelt to find these artworks, but no vehicles, typewriters, or authority. In a race against time to save the world’s greatest cultural treasures from destruction at the hands of Nazi fanatics, each man constructed his own treasure map....

Famed across the known world, jealously guarded by private collectors, built up over centuries, destroyed in a single day, ornamented with gold leaf and frescoes or filled with bean bags and children's drawings - the history of the library is rich, varied and stuffed full of incident. In this, the first major history of its kind, Andrew Pettegree and Arthur der Weduwen explore the contested and dramatic history of the library

Churches are many things to us—they are places of worship, vibrant community hubs and oases of calm reflection. To know a church is to hold a key to the past that unlocks an understanding of our shared history. Andrew Ziminski has spent decades as a stonemason and church conservator, acting as an informal guide to curious visitors. Church Going is his handbook to the medieval churches of the British Isles, in which he reveals their fascinating histories, features and furnishings, from flying buttresses to rood screens, lichgates to chancels.

The Brutish Museums sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. Since its first publication, museums across the western world have begun to return their Bronzes to Nigeria, heralding a new era in the way we understand the collections of empire we once took for granted.

The Louvre is more than the world’s largest art museum. It is a fortress, a palace, a treasure house of revolutions, and a stage for mysteries that continue to fascinate millions. To step inside its echoing halls is to journey through nearly a thousand years of history—where monarchs once schemed, artists found inspiration, and the world’s most famous masterpieces found their home. In Masterpieces and Mysteries, architectural historian Caspar Dene takes you far beyond the crowds gathered at the Mona Lisa.

What if the British Museum isn't a house of learning, but a vast sinkhole of still-bubbling historic injustice? What if it presents us not with a carefully ordered cross section of history but is instead a palatial trophy cabinet of colonial loot swarming with volatile and errant spirits? When artist and writer Noah Angell first heard murmurs of ghostly sightings at the British Museum he had to find out more. What started as a trickle soon became a landslide as staff old and new brought forth testimonies of their inexplicable supernatural encounters.

This is a book about books, about the subversive power of reading and the strange, enduring magic of books as objects. Ever since childhood, books have been at the centre of Ian Patterson's life, as a poet, teacher, translator, bookseller and collector. As he constructs the last of many...

Millions of people climb the grand marble staircase into New York's Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They're the guards in dark blue suits, keeping careful watch over this vast treasure house. Caught up in the early days of a glamorous journalism career, Patrick Bringley never thought he'd be one of them. Then his brother was diagnosed with fatal cancer and he needed to escape the mundane clamour of daily life. So he quit, and sought solace in the most beautiful place he knew.

The gigantic covert wartime mission led by the men and women of London's museums and galleries to save the nation's priceless heritage. As Hitler prepared to invade Poland during the sweltering summer of 1939, men and women from across London's museums, galleries and archives formulated...

'Marvellous . . . I read it with astonished delight . . . It is equally scholarly and entertaining.' - Jan Morris 'Quirky and compelling.' - The Times Once we've learned it as children, few of us think much of the alphabet and its familiar sing-song order. And yet the order of the alphabet, that...

Brought to you by Penguin. Most of us give little thought to the back of the book - it's just where you go to look things up. But here, hiding in plain sight, is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. Here we might find Butchers, to be avoided...

Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she steps into the archive of memory, deftly stitching together her dedicated study of fashion with the story of her own life lived in and through clothes. From her mother's black wedding suit to the swirling patterns of her own silk kimono, her memoir unfolds in spare, luminous prose the spellbinding power of the things we wear.

In a time of rising social isolation, ideological division, and technological upheaval, libraries stand at a crossroads. In Triptych: Death, AI, and Librarianship, acclaimed scholar R. David Lankes—joined by Jain Orr and Qianzi Cao—delivers a bold, urgent, and deeply human call to action for the library profession. Structured around three provocative lectures, this book challenges librarians to move beyond traditional service models and embrace their role as agents of social transformation.

The Western museum is a battleground—a terrain of ideological, political, and economic contestation. Almost everyone today wants to rethink the museum, but how many have the audacity to question the idea of the universal museum itself? In A Programme of Absolute Disorder, Françoise Vergès puts the museum in its place. Exploring the Louvre's history, she uncovers the context in which the universal museum emerged: as a product of colonialism, and of Europe's self-appointed claim to be the guardian of global heritage.

Art today is defined by its relationship to money as never before. Prices of living artists' works have been driven to unprecedented heights, conventional boundaries within the art world have collapsed, and artists now think ever more strategically about how to advance their careers. Artists no longer simply make art, but package, sell, and brand it. Noah Horowitz exposes the inner workings of the contemporary art market, explaining how this unique economy came to be, how it works, and where it's headed.

This is the first book to closely examine the curatorial work that the celebrated poet Frank O'Hara (1926-1966) undertook for the Museum of Modern Art in New York and abroad. Upon his premature death, the New York Times obituary ran with the headline: 'Frank O'Hara, 40, Museum Curator / Exhibitions Aide at Modern Art Dies – Also a Poet'. However, in the half a century since, O'Hara's fascinating career as a curator has been eclipsed by the critical attention given over to his poetry.

If you buy a book at the bookstore, you own it. You can take it home, scribble in the margins, put it on the shelf, lend it to a friend, or sell it at a garage sale. But is the same thing true for the eBooks or other digital goods you buy? Retailers and copyright holders argue that you don't own those purchases, you merely license them. That means your eBook vendor can delete the book from your device without warning or explanation - as Amazon deleted Orwell's 1984 from the Kindles of surprised readers.

The days when museums were dusty, stuffy institutions displaying their wealth and wisdom to a reverential public are over. Museums today are a cultural battleground. Who should decide what is put on display and how it is presented? Who gets to set the narrative? In this passionately argued book, Jon Sleigh maintains that museums must be for all people and inclusion must be at the heart of everything they do.

Sitting on the banks of the river Seine, in the very heart of Paris, the Musée d'Orsay is known worldwide for its exceptional collection of impressionist paintings. These works were absolutely scandalous at the time and for some, they still obviously are. Also, it provides a genuine feeling of time travel by recreating the context in which every single work of art has been produced. Its history is also full of twists and surprises. All of this contributes to making the Musée d'Orsay one of the most alive and striking museums ever.