Showing results by narrator "Patience Tomlinson" in All Categories

It is early spring in 1944, and Allied troops will soon invade northern France. Alice Todd is beginning her second year as warden of a Land Army hostel located in the wilds of Devonshire. Here she has won the affection and confidence of the girls in her charge and found herself caught up in lives which are complex, humorous, and sometimes tragic.

When a woman's body is found on the local golf course after an illicit New Year's party, news quickly spreads, and Libby finds herself being tracked down by locals desperate to share information about the victim, Jackie Stapleton. But things are never that simple in Libby's world. Whilst everyone had an opinion on Jackie, it seems nobody really knew much about her. Libby's chum DCI Connell is being more tight-lipped than usual, and even with her friend Fran Wolfe's help, discovering a motive for the killing is frustratingly difficult.

Bea Abbot is asked to find the man or woman who laid a booby trap for Sir Lucas Ossett, the powerful head of an international company. She finds Sir Lucas’ wife in a state of fear, while gossipy elderly ladies cast doubt on their neighbours; these include a "therapist", an ex-employee of Sir Lucas’, and a cross-section of yuppies and oddballs. Call-girl cards have been left in tenants’ letterboxes, a cat has met an untimely end, and snow is forecast.

It's 1943 and the country is at war. An unlikely group of land girls are finding out about life, love and loss, forming surprising friendships along the way. When Alice Todd's husband runs off with another woman, she is forced to find a means to provide for herself and her young son. Accepting a position as a hostel warden at an old Devonshire farmhouse, Alice finds herself looking after ten volunteer land girls. The job is not as easy as it first seems.

Everyone knows three things about the Women’s Institute: that they spent the war making jam; the sensational Calendar Girls were WI; and, more recently, that slow-handclapping of Tony Blair. About 215,000 women in the UK belong to the WI. Their membership crosses class and has recently begun to recruit huge numbers of young women.

In the spring of 1939, with the Second World War looming, two determined twenty-four-year-olds, Heather Jenner and Mary Oliver, decided to open a marriage bureau. They found a tiny office on London's Bond Street and set about the delicate business of match-making. Drawing on the bureau's...

When her father remarries, the honest, innocent Molly Gibson suddenly finds herself with a new stepsister, Cynthia, who is beautiful, worldly and impetuous. This would be more than enough to deal with, but the new wife is the deeply snobbish (and darkly secretive) Hyacinth. Thwarted love, scheming ambition and small-town gossip underlie the warmth, irony and brilliant social observation which link the relationships and the inevitable conflicts as profound change comes to rural England.

When they met at a motorcycle club in 1912, Elsie Knocker was a 30-year-old motorcycling divorcee dressed in bottle-green Dunhill leathers, and Mairi Chisholm was a brilliant 18-year old mechanic, living at home and borrowing tools from her brother. Little did they know that theirs was to become one of the most extraordinary stories of the First World War.

Robert Browning’s popular poems "The Pied Piper of Hamelin" and "How They Brought the Good News" are often anthologised, but it is in his dramatic lyrics such as "My Last Duchess" and the chilling "Porphyria’s Lover" that his poetic genius shines. Browning, with his unusual use of language, can be a challenging poet, but one who is always rewarding. This selection shows the many imaginative facets of this often neglected Victorian poet.

There’s nothing sinister about Zander’s request for Bea Abbott to accompany him on an errand to a grieving widow, but it’s an awkward situation. Zander exposed a scam that his boss Denzil had been running on the Tudor Housing Trust…after which Denzil had, unexpectedly, died. His widow wants to sue the Trust, while the paperwork that could have proved her husband’s guilt has gone missing. Oliver, Bea’s computer geek of an assistant, is delighted to delve into the mysteries left on Denzil’s computer.

Isabella of Spain was a great woman, a great Queen. Crown of Aloes is presented as a personal chronicle. Within the framework of known fact and detail drawn from hitherto unexploited contemporary Spanish sources, a novelist’s imagination and understanding have provided motives, thoughts, and private conversations, helping to build up the fascinating character Isabella must have been. Her fortunes were varied indeed: she knew acute poverty, faced anxiety and danger with high courage, gave much, suffered much, lived to the full.

While Bea Abbot worries that she’s lost control of her domestic agency, she’s asked to find some domestic help for an eccentric little musician falsely accused of murder. She doesn’t realize how dangerous this might be until Jeremy - fleeing from attempts on his life - lands up on her doorstep. Researching the gang who’d used an attractive girl to entrap Jeremy, Bea finds traces of them throughout high society. Can Bea keep Jeremy - and herself - alive, while all he thinks about is composing a song for pretty, dead Josie?

Bea Abbot's friend, Leon Holland, has asked for her help in establishing an alibi. But why would he need one? First, he tells her, he had a narrow escape from being run down in the road, and then he was lured to a car park to meet someone who didn't turn up. Matters escalate when two bodies are found in the car park stabbed to death. Then everything is thrown into chaos as a devastating virus infects the agency's systems. A hidden camera. Hate mail. A nasty practical joke.

The fake diamond in Dilys Holland's engagement ring implies that all is not well with her marriage. And Bea Abbot has already clashed with Dilys's husband, the bullying Benton, when she refuses to help him rescue his ailing company. But matters are about to turn a great deal worse when Dilys tries to commit suicide. Or does she?

Bea Abbott runs a domestic agency which does not “do” murder. But the disappearance of Tomi, the star of an award-winning short film, is a different matter, especially when the charming Chris bribes Bea with a bouquet of flowers. Can Bea find time to help him, when some well-meant advice she’s given to her daughter-in-law has led to a breakdown in family relationships? Bea discovers that Tomi’s circle contains a secret so deadly that they are dying one by one, even though none of them will go to the police.

P. D. James brings a lifetime of reading and writing crime fiction to bear on this personal history of the genre, from the birth of the detective story, through Wilkie Collins and Conan Doyle, to the golden age of crime and the rise of Agatha Christie, Dorothy L. Sayers, Ngaio Marsh, and Margery Allingham. There is a chapter on great American crime writers such as Raymond Chandler and Dashiel Hammett, and P. D. James also discusses many of her favourite detectives, from Sherlock Holmes to Kurt Wallander.

December, 1962. Desperate to create a happy Christmas for her young daughter, Franny, after a disastrous year, Malorie rents a remote house on the Norfolk coast. But once there, the strained silence between them feels louder than ever. As Malorie digs for decorations in the attic, she comes across the notebooks of the teenaged Rosemary, who lived in the house 30 years before. Trapped inside by a blizzard, and with long days and nights ahead of her, Malorie begins to read. Though she knows she needs to focus on the present, she finds herself inexorably drawn into the past.

Velma is charm itself, especially when she's being inexact with the truth. Now she wants Bea, widowed owner of the Abbot Agency, to check up on her stepson Philip - he's somehow acquired a valuable picture last seen in the flat of an elderly lady who's been murdered. Maggie, Bea's assistant, moves into a flat in Philip's building, to investigate. However, Rafael a professional art thief who aims never to leave his victims alive, is also after the picture.

What would you do if you saw a girl in a crowd whose face had the same, identical birthmark as your only child? A child who, nearly 10 years ago, you were told died? It's 1935, and housewife Emma glimpses a face in a crowd - a little girl with a very unique birthmark. Transfixed by the sight of a stranger; Emma becomes convinced that the girl is her long-lost daughter taken from her at birth. There is only one problem: Emma's daughter is dead. So who is the stranger?

Bea Abbot's plans are disrupted by the unexpected arrival of one of her clients, bearing a brown leather briefcase full of expensive jewellery. Magda Summerleys has been working as a housekeeper for wealthy art expert Lucas Rycroft, who, she says, entrusted her with the briefcase for safekeeping - and who seems to have disappeared without trace.Drawn into the tangled affairs of the dysfunctional Rycrofts, Bea soon discovers that other members of the family are determined to get their hands on the jewels - by whatever means necessary.