Showing results by author "Gore Vidal" in All Categories

Gore Vidal’s reputation as America’s finest essayist is an enduring one. This collection, chosen by the author from 40 years of work, contains about two-thirds of what he published in various magazines and journals. He has divided the essays into three categories, or states. State of the art covers literature, including novelists and critics, bestsellers, pieces on Henry James, Oscar Wilde, Suetonius, Nabakov, and Montaigne (a previosly uncollected essay from 1992).

Lincoln is the cornerstone of Gore Vidal’s fictional American chronicle, which includes Burr; 1876; Washington, D.C.; Empire; and Hollywood. It opens early on a frozen winter morning in 1861, when President-elect Abraham Lincoln slips into Washington, flanked by two bodyguards. The future president is in disguise, for there is talk of a plot to murder him. During the next four years there will be numerous plots to murder this man who has sworn to unite a disintegrating nation.

Cyrus Spitama, grandson of the prophet Zoroaster and lifelong friend of Xerxes, spent most of his life as Persian ambassador for the great king Darius. He traveled to India, where he discussed nirvana with Buddha, and to the warring states of Cathay, where he learned of Tao from Master Li and fished on the riverbank with Confucius. Now blind and aged in Athens - the Athens of Pericles, Sophocles, Thucydides, Herodotus, and Socrates - Cyrus recounts his days as he strives to resolve the fundamental questions that have guided his life’s journeys.

Here is an extraordinary portrait of one of the most complicated - and misunderstood - figures among the Founding Fathers. In 1804, while serving as vice president, Aaron Burr fought a duel with his political nemesis, Alexander Hamilton, and killed him. In 1807, he was arrested, tried, and acquitted of treason. In 1833, Burr is newly married, an aging statesman considered a monster by many. But he is determined to tell his own story, and he chooses to confide in a young New York City journalist. Burr is the first novel in Gore Vidal's Narratives of Empire series.

Jim, a handsome, all-American athlete, has always been shy around girls. But when he and his best friend, Bob, partake in “awful kid stuff,” the experience forms Jim’s ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship.

Julian the Apostate, nephew of Constantine the Great, was one of the brightest yet briefest lights in the history of the Roman Empire. A military genius on the level of Julius Caesar and Alexander the Great, a graceful and persuasive essayist, and a philosopher devoted to worshipping the gods of Hellenism, he became embroiled in a fierce intellectual war with Christianity that provoked his murder at the age of thirty-two, only four years into his brilliantly humane and compassionate reign.

This explosively entertaining memoir abounds in gossip, satire, historical apercus, and trenchant observations. Vidal’s compelling narrative weaves back and forth in time, providing a whole view of the author’s celebrated life, from his birth in 1925 to today, and features a cast of memorable characters - including the Kennedy family, Marlon Brando, Anais Nin, and Eleanor Roosevelt.

It is 1917, and President Woodrow Wilson is about to lead the country into the Great War in Europe. In California, a new industry is born that will irreversibly transform America. Caroline Sanford, the alluring heroine of Empire, discovers the power of moving pictures to manipulate reality as she vaults to screen stardom under the name of Emma Traxler. Just as Caroline must balance her two lives - West Coast movie star and East Coast newspaper publisher and senator’s mistress - so too must America balance its two power centers: Hollywood and Washington. Here is history as only Gore Vidal can re-create it: brimming with intrigue and scandal, peopled by the greats of the silver screen and American politics.

Gore Vidal - novelist, playwright, critic, screenwriter, memoirist, indefatigable political commentator, and controversialist - is America’s premier man of letters. No other writer brings more sparkling wit, vast learning, indelible personality, and provocative mirth to the job of writing an essay.

Widely regarded as Vidal's ultimate comment on how the American political system degrades those who participate in it, Washington, D.C. is a stunning tale of corruption and diseased ambitions. It traces the fortunes of James Burden Day, a powerful conservative senator who is eyeing the presidency; Clay Overbury, a pragmatic young congressional aide with political aspirations of his own; and Blaise Sanford, a ruthless newspaper tycoon who understands the importance of money and image in modern politics.

"I am Myra Breckinridge, whom no man will ever possess." So begins the irresistible testimony of the luscious instructor of Empathy and Posture at Buck Loner's Academy of Drama and Modeling. Myra has a secret that only her surgeon shares; a passion for classic Hollywood films, which she regards as the supreme achievements of Western culture; and a sacred mission to bring heteronormative civilization to its knees. Fifty years after its first publication unleashed gales of laughter, delight, and ferocious dissent, Myra's moment to instruct and delight has once again arrived.

While America struggles to define its destiny, beautiful and ambitious Caroline Sanford fights to control her own fate. One of Vidal’s most inspired creations, she is an embodiment of the complex, vigorous young nation. From the back offices of her Washington newspaper, Caroline confronts the two men who threaten to thwart her ambition: William Randolph Hearst and his protégé, Blaise Sanford, Caroline’s half brother.

Myra caused a second furor when she returned in Myron to battle it out with her eponymous alter ego, a drab little man fallen into marriage and a job in Chinese catering. Theirs is a contest of hormonal roulette, with glorious Myra off on time-travelling missions of mercy back to 1948 to try to change cinema history and to introduce her own radical theories of popuation control. Meanwhile Myron tries desperately to stay in the present as inconspicuously as Myra will allow.

In Death Likes it Hot, dashing P.R. man Peter Sargeant travels out to a posh beach community to help a wealthy socialite plan an end-of-summer party. His enjoyment of the sun, the surf, and the company of a lovely young fashion reporter is interrupted by the death of the socialite’s niece: she mysteriously drowns while swimming on a crowded beach. No one suspects murder until the police find a lethal dose of sleeping pills in her system.

Gore Vidal has been described as the last “noble defender” of the American republic. In Imperial America, Vidal steals the thunder of a right wing America - those who have camouflaged their extremist rhetoric in the Old Glory and the Red, White, and Blue - by demonstrating that those whose protest arbitrary and secret government, those who defend the bill of rights, those who seek to restrain America’s international power, are the true patriots.

The third volume of Gore Vidal's magnificent series of historical novels aimed at demythologizing the American past, 1876 chronicles the political scandals and dark intrigues that rocked the United States in its centennial year.

Timothy (later St. Timothy) is in his study in Thessalonika, where he is bishop of Macedonia. It is A.D. 96, and Timothy is under terrific pressure to record his version of the Sacred Story, since, far in the future, a cyberpunk (the Hacker) has been systematically destroying the tapes that describe the Good News, and Timothy's Gospel is the only one immune to the Hacker's deadly virus.

In a series of penetrating and alarming essays, whose centerpiece is a commentary on the events of September 11, 2001 (deemed then too controversial to publish), Gore Vidal challenges the comforting consensus following September 11th and goes back and draws connections to Timothy McVeigh’s bombing of the federal building in Oklahoma City. He asks were these simply the acts of “evil-doers?”

Volumes have been written about George Washington, John Adams, and Thomas Jefferson, but no previous work captures the intimate and vital details the way Inventing a Nation does. Vidal's consummate skill takes you into the minds and private rooms of these great men, illuminating their opinions of one another and their concerns about crafting a workable democracy.

This darkly satirical drama by Gore Vidal finds two presidential contenders seeking the endorsement of an aging ex-president, and explores how personal agendas can change the course of a nation's destiny. The political intrigues rampant in Vidal's 1960 setting are strangely similar what is going on today. Includes an interview with actors Fred Thompson and Marsha Mason.