Showing results by narrator "Gabrielle/Stefan De Cuir / Rudnicki" in All Categories

In this sweeping, threaded narrative of the global phenomenon known as the Vampire Wars, mankind is unwittingly infected by a millennia-old bacteria unknowingly exhumed by a scientific expedition in Antarctica. Now, in some rare cases, a person’s so-called junk DNA becomes activated. Depending on their racial and ethnic heritage, they begin to manifest one of the many diverse forms of the "others" that are the true basis for the legends of supernatural creatures. These aren’t your usual vampires and werewolves - it goes much deeper than that.

Prince Roger is coming home, but home isn't what it was when he left. Traitors have murdered his brother and sister, his nieces and nephews. His mother, the empress, is still alive but in the hands of Roger's own biological father, who controls her through drugs and physical and psychological torture. A new heir to the throne has been conceived, and once the child is born his mother will no longer be necessary to the traitors' plans.

Exploring the boundaries of the genre, Bova not only writes of spaceships, aliens, and time travel in most of his titles, but also speculates on the beginnings of science fiction in “Scheherazade and the Storytellers,” as well as the morality of man in “The Angel’s Gift.” Stories such as “The Café Coup” and “We’ll Always Have Paris” dip into speculative historical fiction, asking questions about what would happen if someone could change history for the better. This expansive collection is a key addition for Bova fans and sci-fi lovers alike!

Arlyn's quest is simple: Find her father and let him know her mother is dead. After all, Arlyn had promised her mother she'd go. The problem? Her father's people are myths and legends, and he doesn't even live on Earth. But despite a long journey through the mysterious mists of the Veil, finding him turns out to be the easy part. Arlyn thought she would return to Earth after meeting her father. Now she must fight to save the family she never knew she wanted.

In a not-too-distant future that is not quite ours, there has been a major scientific breakthrough. It is a way to open windows into the past, permitting historical researchers to view, but not participate, in the events of the past.

In one of the most powerful and thought-provoking novels of his remarkable career, Orson Scott Card interweaves a compelling portrait of Christopher Columbus with the story of a future scientist who believes she can alter human history from a tragedy of bloodshed and brutality to a world filled with hope and healing.

Discover the next generation of science fiction and fantasy with twelve emerging authors and three powerhouse storytellers with unforgettable voices and world-class storytelling—narrated by Stefan Rudnicki, Orson Scott Card, Gabrielle De Cuir, Janina Edwards, Susan Hanfield, Kirby Heyborne, John Lee, Jim Meskimen, and Scott Peterson.

Spanning four decades in the mid-19th century, the interconnected novellas of Old New York lay out in vivid detail the complex and inscrutable codes, customs, and taboos of New York society in classic Wharton style.

In Lusitania, Ender found a world where humans and pequininos and the Hive Queen could all live together; where three very different intelligent species could find common ground at last. But Lusitania also harbors the descolada, a virus that kills all humans it infects, but which the pequininos...

It's been one year since a virus triggered junk DNA and people all over the world started changing, becoming something else, craving blood. It's been 10 months since the word vampire stopped being something from old monster stories and Hollywood movies. It's been six months since our world and theirs erupted into war, two since an uneasy peace was signed, and one hour since that peace was shattered. The war is here again - the vampire war.

A hero without peer or scruples, Sam Gunn has a nose for trouble, money, and women, though not necessarily in that order. A man with the ego (and stature) of a Napoleon, the business acumen of a P. T. Barnum, and the raging hormones of a teenage boy, Sam is the finest astronaut NASA ever trained and dumped. But more than money, more than women, Sam Gunn loves justice—and he really does love money and women.

Weird Women, edited by award-winning anthologists Lisa Morton and Leslie S. Klinger, collects some of the finest tales of terror by authors as legendary as Louisa May Alcott, Frances Hodgson Burnett, and Charlotte Perkins Gilman, alongside works of writers who were the best sellers and critical favorites of their time - Marie Corelli, Ellen Glasgow, Charlotte Riddell - and lesser known authors who are deserving of contemporary recognition.

Dragon shifter Kezari gave up everything to stop the poison she’d sensed on Earth. Though welcomed by the Moranaian elves, she struggles to find her place in a land with different customs and expectations. Her situation only gets worse after she’s assigned to deliver healing potions with the annoying mind healer Tynan. How is she supposed to work with a man when she can’t decide whether to push him away or kiss him?

Orson Scott Card's The Last Shadow is the long-awaited conclusion to both the original Ender series and the Ender's Shadow series, as the children of Ender and Bean solve the great problem of the Ender Universe—the deadly virus they call the descolada, which is incurable and will kill all of...

There is a book that is shrouded in mystery. Some even say it's a myth. Within its pages is a play - one that brings madness and despair to all who read it. It is the play of the King in Yellow, and it will haunt you for the rest of your days. The King in Yellow is a collection of stories interwoven loosely by the elements of the play, including the central figure himself.

After the death of her soulbonded 20 years ago, Lynia has struggled to find her place. Her son, Lyr, has the estate well in hand, and there are no pressing duties for her to attend. Aside from keeping peace between their many visitors and ignoring her growing attraction to the cranky healer, her days blur into uncomfortable monotony. Not even her work doing research brings much excitement. Then an unexpected prophesy shoves her into sudden action - and the healer’s company - as a plague threatens all she holds dear.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the end of the world. In science fiction the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.

Perhaps no figure in biblical scholarship has been the subject of more controversy and debate than Mary Magdalene. Although she is discussed in the gospels of Philip, Thomas, Peter, and Bartholomew in the collection of writings known as the Gnostic gospels that were rejected by the early Christian church, there is no better insight into this mysterious and influential woman than Mary's own gospel.

It is almost impossible to envision what childhood would be like without the enchanting world of fairyland. Three-headed trolls, horses that carry their masters up mountains of glass, giants and dwarfs, monsters and magicians, fairies and ogres - these are the companions who will thrill young boys and girls of all lands and all times, as Andrew Lang's phenomenally successful collections of stories have proved.

As the early years of detective fiction gave way to two separate golden ages - of hard-boiled tales in America and intricately-plotted, so-called “cozy” murders in Britain - the legacy of Sherlock Holmes, with his fierce devotion to science and logic, gave way to street smarts on the one hand and social insight on the other, but even though these new sub-genres went their own ways, their detectives still required intelligence and clear-sightedness as characterized the earliest works of detective fiction: the trademarks of Sherlock Holmes, and of all the detectives featured here.

A man wakes up in a hospital bed, with no idea who he is or how he came to be there. The only information the doctor shares with his patient is his name: Innokenty Petrovich Platonov. As memories slowly resurface, Innokenty begins to build a vivid picture of his former life as a young man in Russia in the early 20th century, living through the turbulence of the Russian Revolution and its aftermath. But soon, only one question remains: How can he remember the start of the 20th century, when the pills by his bedside were made in 1999?