Showing results by narrator "Kenneth Medford" in All Categories

P-Funk keyboardist Daniel Bedrosian brings to life the recording and musical activity of Parliament-Funkadelic in 1975, an epoch-making year marked by the release of three seminal albums: Chocolate City , Let's Take It to the Stage , and Mothership Connection. By the end of it, George Clinton and P-Funk were catapulted into superstardom, becoming a massive platinum success with multiple hit singles.

Revolution is a detailed exploration into the era of Prince's most prolific and groundbreaking music made with considerable inspiration and performed by a unique cadre of musicians he gathered and relentlessly drove to be the sonic, visual, and ideological reflection of his evolving vision. This is the story of the genre-shifting, multi-media, trailblazing Prince & the Revolution from their humble inception to their precipitous rise in celebrated hit singles, albums, films, and tours to their controversial and shocking demise.

Banning Books in America features novelists on banning and being banned, arguments about the histories and politics of book banning, readings of banned books in national and international contexts, and responses to new legislation by anti-censorship advocates, teachers, and librarians. Together, these writers and educators provide a view from the trenches of the wars on reading. They offer, if not a single blueprint, models for how to think about what it means to ban books and how to fight back against the forces that would ban them.

A 2006 report commissioned by Brown University revealed that institution's complex and contested involvement in slavery--setting off a controversy that leapt from the ivory tower to make headlines across the country. But Brown's troubling past was far from unique. In Ebony and Ivy, Craig Steven Wilder, a rising star in the profession of history, lays bare uncomfortable truths about race, slavery, and the American academy.

The figure of the supplicant negro—a figure famously represented in Josiah Wedgwood's 18th-century anti-slavery medallion—continues to sideline radical Black anti-colonialist struggle. The End of Supplication contends that Black freedom struggles are anti-colonial movements against anti-Blackness and the permutations of slavery, and as such they are ill-served by a dominant Civil Rights discourse that escapes neither the paternalism of white abolitionism nor the caricatures of minstrelsy.